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Open Studio Reviews

4.8 Rating 2,226 Reviews
95 %
of reviewers recommend Open Studio
4.8
Based on 2,226 reviews
Shipping & Delivery
Delivery Methods
Postal Service, Courier
On-time Delivery
99%
Accurate And Undamaged Orders
Greater than 92%
Customer Service
Communication Channels
Live Chat, Email, Telephone
Queries Resolved In
6 - 12 Hours
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About Open Studio:

Open Studio - Jazz Lesson from Jazz Legends
Be a better jazz player, guaranteed.

Open Studio provides jazz education from today's leaders in jazz in an easy to use and interactive viewing environment.

Visit Website

Phone:

+1 314-329-7201

Email:

support@openstudiojazz.com

Location:

3333 Washington Ave.,
St. Louis
Missouri
63103

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Open Studio 5 star review on 2nd August 2024
Richard F
Open Studio 5 star review on 1st August 2024
Luke L
Open Studio 5 star review on 1st August 2024
Karen C
Open Studio 5 star review on 1st August 2024
Daniel C
Open Studio 5 star review on 1st August 2024
Daniel C
Open Studio 5 star review on 1st August 2024
Daniel C
Open Studio 5 star review on 1st August 2024
Daniel C
88
Anonymous
Anonymous  // 01/01/2019
Videos are well done and the material builds on previous lessons. The instructors seem to enjoy what they're doing and present the material well.
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Posted 1 year ago
It’s a blast. I’ve been a jobbing musician for over 30 years and everything helps…from reviewing basic scales and voicings to more advanced harmonies and tunes, plus guided practice, I have a ton of resources at my fingertips.
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Posted 1 year ago
Whatever the jazz related theme that you looking for (voicings, lines, comping, theory...) OpenStudio has the answer for you, in all levels of deepness, from beginner to (very...) pro... it's the best, and has the best teaching
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Posted 1 year ago
I've learned a lot from Open Studio online sessions and live YouTube sessions.
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Posted 1 year ago
Open studio is undoubtedly the best online music academy I have seen. The demos, guidance, lessons, instructions and follow-up are designed to help anyone who attends the school improve on their crafts. Thumbs up for Peter Martin, Adam Mannes and all other people involved in this beautiful institution.
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Posted 1 year ago
I wasn't initially sure if Open Studio was for me. After 7 weeks, I can say it's absolutely the best music instruction I've encountered. Peter and Adam treat learners with respect -- regardless of level -- and bring a unique combination of passion and reason for even the simplest exercises. I'm looking forward to a lot more time with the OS community! ⭐⭐⭐⭐⭐⭐⭐
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Posted 1 year ago
got me in an inspiring way back at working on my bass...
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Posted 1 year ago
brilliant
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Posted 1 year ago
I felt so bad using all the free stuff on You Tube. Thats why i signed up. But boy! The Content is amazing and it's been a while that i made so much progress the last few years. Keep it up and wish you guys all the best on your teaching journey. Lot of Love Andi from Switzerland
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Posted 1 year ago
I joined Open Studio to try the bass lessons. I play electric. Although almost all lessons are for upright, I have great use of the material.
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Posted 1 year ago
I started taking piano lessons as a kid in the Canadian "Royal Conservatory" system, which is classically oriented and gave me a great deal of value. I never became the greatest player in the world, but have been able to play well enough to accompany singing students I've taught privately and at the college level. In addition to classical, I've loved jazz and pop my whole life, (I have a major Steely Dan fetish!) But, can really only play that stuff with sheet music in front of me. I've always been jealous of the improvisers. Throughout the pandemic I started listening to Adam and Peter's podcast as a way to see if I might pick up some jazz piano tips. I'm also a bit of a theory nerd, so I enjoy all the jazz theory talk. That led me to buying the chords practic pack. But, after 1 lesson I decided I needed to back up one more step to really get the whole "root, shell, pretty" of voicings thing into my fingers. So, I got Jazz Chords For Beginners. I've only been at it for a week, but I love it! I love Adam's enthusiasm, and easy-going approach, and the exercises are great. I've been going slowly through the I, ii, and V chords in 5 note voicings, playing them chromatically and through the circle of fourths. I've slowed way down, and spent a lot of time really looking at where my fingers are and feeling the shapes. For the first time I'm developing a physical sense of what my hands do in all 12 keys. I've always had a horrible habit of leaving out flats and sharps in different keys, even though I know intellectually that I'm supposed to play them. I'm already feeling even more confident when I'm reading music, and starting to feel more comfortable with my ii-V-Is through the circle of fourths. I'm enjoying going slowly, playing 3 notes in my left hand/2 notes in my right, then reversing it with 2 notes in the left and 3 in the right. I'm also playing in different rhythms to keep it fun, and really listening to the chord qualities as another failsafe against doing dumb things like mistakenly playing major 7ths in dominant and minor chords, etc. I'm not going to rush to the next step until I've got these ones under my fingers. Then, on to the diminished, half-diminished, and minor 6ths! I'm imagining that the 4 note rootless and left handed-rootless chords will come a bit faster after getting the 5 note voicings more securely. But, I'm not in a rush. I'm just having fun. I do look forward being able to put some of this stuff to use on standards that I love in the future. What's fun is that I can actually see that it will be possible! For variety, I'm playing through my collection of Steely Dan transcriptions, and find that even as I read the sheet music, many of the juicy altered chords they use make that much more sense to me on a physical, kinesthetic level. My 60th birthday is at the end of June, and as a special gift, I'm going to go in on a Casio Privia PX-S7000 with my Mom and Sister, who want to spoil me, but not quite enough to pay the whole shot themselves! Assuming I like how much it sounds as I love how it looks, I'm looking forward to going into the store and having some things I can play off the top of my head to take it through its paces. So, this is a lovely new learning phase for me that I'm feeling very jazzed about. (See what I did there?) :-) Thanks for the great instruction and for helping me wire some new synapses in my musical brain! Rigzin P.S. Thanks for putting me on to SoundSlice, too! I now use it as an amazing teaching tool for a choir I conduct. My students love it, and so do I! You guys put me on to that one too.
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Posted 1 year ago
So far, so good! I've just started with the basic lessons as a kind of review of what I already know, and yet I've already learned some interesting things. What I would slightly tweak is the fact that sometimes it takes quite a bit to match the lesson to the related materials, for example the backing tracks. In my opinion, instead of having the materials in some kind of pool, it would be much more practical to have them "glued" to the lesson :-), so you have the tools to practice right there, without having to look for them elsewhere, or far down the page. Warm regards!! Ricardo
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Posted 1 year ago
Obviously the best Jazz course I have ever seen, and I have seen a bunch. However, I find Adam's lessons much more useful in terms of pace, depth and the way of presentation. No doubt Peter is a more experienced professional, and there are indeed gems in some of the videos (especially the YouTube series), but maybe Peter has been a pro for too long and has lost the empathy for level 1-3 beginners. Some of the courses, even though with "beginner" in the title, and starts with super-rudimentary interval, major/minor chord building, soon skips to a lot of improv and tips that are not very practiceable and progressive. I myself might be a strange combination, but let me elaborate. I'm not in the music business but I take piano and keyboard series, most of the early times I self-learn, and it's been like that for ~10 years (I'm 36 now). As an adult I learn the theory of things super fast, I'm perfectly aware of the scales, chord qualities, modes, shell voicing, blues form, etc., because I've read like 50 jazz books and followed pretty much every piano / jazz tutor on YouTube. The thing is, knowing something by brain is so different than creating flow of notes confidently by hands. Living in an env without much communications amongst musicians I don't have the privilege to learn by imitation and conversation, so even my technique is probably medium level and I can play ok with clear instructions, it haunts me badly when I sit with only chord progressions and has to come up good patterns just in time. I find Adam's pentatonics series very enjoyable, practicing those patterns makes me feel closer to the feel of improv and they do sound good. However, scanning through all the lessons I find there is still a missing link for people like me. If I'm allowed to speak for my kind of people. I don't really need anything rudimentary so it's not like every lesson has to start with definitions of major/minor/tonality/blues scale/form/pentatonics/altered scale/etc., but I desperately need for some ingredients to start improv, probably step by step. First with ingredients of choice of notes (pentatonics) and probably some rhythms (which Adam had some in the Rhythm course), then with the palettes do some GPS that mix and match the combos of the ingredients. I really love the "call and response" style GPS because I don't have other musicians to practice with, so I imagined that Adam would do some comping and improv, 8 measures, then for the student. The same thing goes for comping, in a reversely way. I know everything is created on the spot but there are definitely patterns that can get us a real kickstart. Also it would be nice to dissect famous standards performances that use certain patterns to put more confidence in students. This way, together with some ideas for how students could explore and push the envelope little by little, then it would be very nice. With all that said, your courses and videos are the closest to what I really loved to learn with. If you need my inputs on build new courses, please do make contact, I'm more than happy to help!
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Posted 1 year ago
Great, really enjoying it
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Posted 1 year ago
Those that are studying at Open Studio are most certainly getting their money's-worth...and more !! From Peter Martin to Adam Maness, and, and, and, you can't go wrong...Open Studio Hosts a Top-Notch, Professional Group of Teachers, versed in all areas of the field...especially if you want to up-your-game in the Jazz World, but most certainly not limited to just Jazz! You couldn't be in better hands. . .
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Posted 1 year ago
Open Studio is an awesome platform for musicians who love jazz, it's really inspiring to practice everyday with all the teachers and have direct feedback from really world class musicians!! I'm so proud of being an OS pro member for many years and love all the content they are constantly sharing and the commitment to offer the best for us. The support from everyone at the community is great! OS has definitely made me fall in love with practice, thank you!!!
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Posted 1 year ago
Open Studio is a music learner's school, playground, and best of all, community. This is where people who love making music come together, whatever their skill level.
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Posted 1 year ago
I love it! It has really revolutionized my playing and my understanding of music and has lifted my ears to be able to transcribe the music I love!
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Posted 1 year ago
Open Studio is great for studying music; all styles and instruments!!
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Posted 1 year ago
Absolutely incredible 360 degree jazz education, with a wonderful and supportive community that turbocharges the experience. I look forward to every session, and end up a better player (or listener) every time. Ten stars. Or more.
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Posted 1 year ago
Open Studio is rated 4.8 based on 2,226 reviews